lindsay horne

science|art|humanity creating to heal. designing for change.
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To be a Flower,
Kate Thomas Art Studio
2026Role: Artist
The Initiative Group Art Show 
"To be a Flower, is profound Responsibility —"

To Love, is profound responsibility.

The Hague Parade: a floating art exhibition
The Hague Inlet
2025Role: Creative Director, Lead Organizer

Artist Teams:
Ariana Foster + Foster Beauty Fashion Show + What’s In Your House Boutique
Bobby Sanders + Jason Blackledge + Push Comedy Theater’s Pushing Dragons Crew
The Governor's School for the Arts Sculpture Class (under the esteemed tutelage of Ben Wright and Jennifer Alexis Hand Wright)
Suzanne Peterson + the Barry Art Museum
Richard Justis + Kyle Reed
Jonathan Ramirez + Tony Lin + Bobby Lindemann (the Astro-knot Squad)
Nelly Rose + Alissa Mones
Stan Clark + Astro botanicals
Chrispy Castillo 







Inspired by the Bosch Parade in the Netherlands, The Hague Parade is a love letter to the water in the form of creative expression, collaboration, and community. 

The floating art parade hopes to inspire awe and wonder while illuminating the beautiful privilege we have living next to the water. 

Rather than focusing on the fear surrounding sea-level rise and our city’s issues with flooding, what if we were to be like water — to be fluid and reach a state of acceptance? To dream and play and create with the water rather than against it? 

The parade is a beautiful dance between the arts and the sciences which will culminate at the once Norfolk Museum of Arts and Sciences, now The Chrysler Museum of Art.

Read more here
And here 

IMPROV-ing Emotional Wellness 
Push Comedy Theater
2024Role: Designer, Researcher, Facilitator
Collaboration with Push Comedy Theater and Watermark Psychological Services 
Co-facilitated with LPC Jessica Cameron and Dr. Lisa Mazzio


A three-part workshop series co-designed with licensed clinicians at the intersection of improvisational theater and psychoeducation.

Self-reflection
Chrysler Museum Glass Studio
2024Role: Artist, Designer
with 757 Makerspace Capenter Magician Jason Ginsberg

Self-reflection is a wood and glass sculpture inspired by Maslow’s Hierarchy of Needs. The top level of the pyramid flips over creating a chair while the rest of the sculpture acts as a table for tea, for coffee— for self-reflection. 

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Ley Lines
For All Handkind, Chrysler Museum Glass Studio, The Contemporary Arts Network
2023Role: Artist
Collaboration with Neon Magician Artist Matt Jacob

Ley Line (n.) - an imaginary line between some important places believed to be where there were very old paths, often inherent with special power and magical energy.  

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Red
For All Handkind 
2022Role: Artist
Collaboration with Neon Magician Artist Matt Jacob

“Anger ... it's a paralyzing emotion ... you can't get anything done. People sort of think it's an interesting, passionate, and igniting feeling — I don't think it's any of that — it's helpless ... it's absence of control — and I need all of my skills, all of the control, all of my powers ... and anger doesn't provide any of that — I have no use for it whatsoever." - Toni Morrison

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A Spoonful of Sugar  
Chrysler Museum of Art
2022Role: Artist
with Technical Designer Unicorn Sarah Doverspike
Completed as Auditor for Spring Chrysler Museum Glass Assistantship  Mixed Media: Wool, Antique Spoons, Crushed Glass 

Inspired by the song from the movie Mary Poppins, A Spoonful of Sugar highlights our country’s growing pains as we continue to confront our past while trying to create and define our identity. As in the song, the first polio vaccine was administered with a cube of sugar and was met with the same trepidation our world faced during the Covid-19 pandemic. This installation highlights the power education has in molding present and future generations, with the potential to perpetuate the same cultures and divisiveness that stem from a shameful history and continued master narrative. A sugar-coated curriculum built from a country’s sugar-coated history. Our country’s identity, sugar-coated. Perhaps a spoonful of sugar helps the history go down.
Eyes Forward
Hermitage Museum & Gardens 
2020Role: Artist
with Pink Glass Artist Mama Jennifer Alexis Hand Wright
Mixed media: Salvaged Car Side Mirrors, Neon

Eyes Forward uses reflection and perspective to ask important questions regarding our individual impact on the environment and suggests what Earth’s future might be. One wall consists of an assemblage of old side view vehicle mirrors that contain the well-known printed message to drivers that “OBJECTS IN MIRROR ARE CLOSER THAN THEY APPEAR.” Panning out, viewers can see a reflection in the mirrors from the neon side on the opposing wall that reads, “THE END.” 

The mirrors allow viewers to see their individual reflection, which symbolize the role each individual plays in impacting the environment. Viewers are asked to consider their own responsibility, their choices and actions, and contemplate actions moving forward - alone and collectively. Will you settle for defeat and focus on the end staring brightly at you in your face? Or will you keep your eyes forward, on the road ahead, focusing on possibilities and solutions for the future?


Yuzhu Zheng Photography
Written in the Water
Cure Coffeehouse
2018Role: Creative Director
with DREAM TEAM Matthew Diggs, Roland Felipe, Ashley Umotoy Written in the Water is an exhibition inspired by the epitaph on John Keats’s grave: “Here lies One Man Whose Name was writ in Water.” This was part of Keats’s dying wish when he grasped the harsh reality he would soon die at the young age of twenty-five. Keats believed his name would be ‘writ in water’ in that he would easily be forgotten without having the chance to produce work that would stand the test of time. Similarly, I believe fashion faces such an illusion and paradox.

Fast fashion is a term used to describe the increased output of garments made cheaply and quickly — the garments that are sold for five dollars and start falling apart after one or two wears. On the surface fast fashion appears to be a temporary problem that you can quickly and easily discard, but the industry’s increase in production and its paralleled consumer buying behavior creates a snowball effect leading to a substantial increase in throwaway fashion destined for landfills. The detrimental social and environmental effects of the fast fashion industry are anything but temporary.

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© lindsay horne trust the process